{"id":39041,"date":"2026-06-12T09:52:19","date_gmt":"2026-06-12T09:52:19","guid":{"rendered":"https:\/\/arte-coa.pt\/?post_type=project&#038;p=39041"},"modified":"2026-06-12T09:52:19","modified_gmt":"2026-06-12T09:52:19","slug":"parte-do-chao","status":"publish","type":"project","link":"https:\/\/arte-coa.pt\/en\/Agenda\/parte-do-chao\/","title":{"rendered":"Parte do Ch\u00e3o"},"content":{"rendered":"<p><strong>PARTE DO CH\u00c3O<\/strong><\/p>\n<p><strong>Texto de Carlota B\u00f3ia Neto<\/strong><\/p>\n<p>Between valleys and ridges that embrace the Co\u0302a River, time shapes the landscape. Its authority imposes itself, inviting those who pass through to contemplate its imponence: a distant yet close time, traversed by people from a past that is ours.<\/p>\n<p>This is the landscape that unfolds and fragments into a graphic language that unites the work here presented, between the appropriation of poetic text and a graphic style, distinctive, and simultaneously shared among the artists. This is not necessarily a premeditated or structured process, after all, memory architects thoughts, images, sounds, shadows&#8230; in unknown ways. A landscape of another nature then emerges: an inner landscape.<\/p>\n<p>In Joa\u0303o Massano\u2019s work, references to these landscapes are evident; the planes of the landscape merge and dissolve, invoking in the viewer an in-between place: a space that is both real and dreamlike.<\/p>\n<p>In Maria Lui\u0301sa Capela\u2019s practice, the marked gesturality of the stroke inhabits her rhythmic, mobile paintings, referring back to the primordial mechanisms of painting: a rough, raw, sensitive plasticity.<\/p>\n<p>Sebastia\u0303o Castelo Lopes presents a Beckettian<a href=\"#_ftn1\" name=\"_ftnref1\"><sup>[1]<\/sup><\/a> approach to time, in which the reference to symbols asserts itself poetically: the bone associated with the word. The bone emerges as a signifier, carrying multiple meanings through the lyrical and enigmatic relationship it establishes with the text.<\/p>\n<p>Guided by references and appropriations of what lies beyond the museum\u2019s walls, the exhibition invites the viewer to reflect upon the relationships enacted through drawing. Time exercises its agency: it eternalizes the experiences, stories, and dreams of those who have passed through here. Now we are the ones passing through, in another score of that same composition.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"#_ftnref1\" name=\"_ftn1\"><sup>[1]<\/sup><\/a> Reference to Samuel Beckett.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>PARTE DO CH\u00c3O Texto de Carlota B\u00f3ia Neto Between valleys and ridges that embrace the Co\u0302a River, time shapes the landscape. Its authority imposes itself, inviting those who pass through&#8230;<\/p>\n","protected":false},"author":10,"featured_media":39038,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"pj-categs":[95],"pj-tags":[],"class_list":["post-39041","project","type-project","status-publish","format-standard","has-post-thumbnail","hentry","pj-categs-exhibition-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Parte do Ch\u00e3o - C\u00f4a Parque<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/arte-coa.pt\/en\/Agenda\/parte-do-chao\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Parte do Ch\u00e3o - C\u00f4a Parque\" \/>\n<meta property=\"og:description\" content=\"PARTE DO CH\u00c3O Texto de Carlota B\u00f3ia Neto Between valleys and ridges that embrace the Co\u0302a River, time shapes the landscape. 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